Composed by Philippe Gaubert  Cantabile Et Scherzetto is a piece for Bb Cornet and Piano. Written as a contest piece for the Paris Conservatoire it would brilliantly match the skills of an upper-intermediate Cornet player. The Piano part is also for an equal level. Published in 1909 this piece is generally thoroughly enjoyed by players and is divided into two parts. The first part the cantabile enables the player to work on their phrasing while the scherzetto is good training for triple tonguing. Philippe Gaubert (1879-1941) was a French flautist composer and conductor. He wrote manypieces of chamber music including three Sonatas for Flute and Piano and some Fantasies.

Considered as the practical guide for Flute Complete Flute Method was co-written by Paul Taffanel (1844-1908) and Philippe Gaubert (1879-1941). Published in 1923 this method is strongly progressive: helping the beginner from the very start it should develop and help them to master the necessary theory technique and tone of this instrument. The 227 pages all contain descriptions and comments written in French English German and Spanish which stand out by their precision and detail.Recognised worldwide thanks to Marcel Moyse Emmanuel Pahud and Pierre-Yves Arthaud among others Complete Flute Method demonstrates and confirms the quality and professionalism of these French flautists and their methods.Paul Taffanel (1844-1908) and Philippe Gaubert (1879-1941) are both professional flautists who collaborated on different projects together including this method and the '17 Grands Exercices Journaliers de Mécanisme'.

Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise therefore that his compositions for the instrument are at the forefront of the Flute's repertoire his Sonatina being no exception. After a prominent career as a flautist with the Paris Opéra Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed including his Sonatina for Flute and Piano which is made up of two movements the second being a homage to Schumann.Addressing many technical features including flourishing semiquaver passages a wide range lyricism intervals chromaticism and complex rhythms Sonatina is a challenging yet riveting and stirring piece for aspiring flautists.

Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise therefore that his compositions for woodwind are at the forefront of the musical family's repertoire Fantasy for Clarinet being no exception. After a prominent career as a flautist with the Paris Opéra Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed including his Fantasy for Clarinet which he wrote towards the beginning of his career. Addressing many technicalfeatures including flourishing semiquaver passages a wide range lyrical melodies intervals chromaticism and complex rhythms Fantasy is a challenging yet riveting and stirring piece for aspiring advanced clarinetists.

Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise therefore that his compositions for the instrument are at the forefront of the Flute's repertoire his Deux Esquisses being no exception. After a prominent career as a flautist with the Paris Opéra Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed including his Deux Esquisses for Flute and Piano which is made up of two movements. The secondof these Oriental conveys many technical features including flourishing semiquaver passages a wide range lyricism intervals chromaticism and complex rhythms. Oriental from Deux Esquisses is a challenging yet exciting piece for aspiring flautists.

Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise therefore that his compositions for the instrument are at the forefront of the Flute's repertoire Sicilienne being no exception. After a prominent career as a flautist with the Paris Opéra he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed including his Sicilienne which was published in 1914. Addressing many technical features including flourishing semiquaver passages awide range changing time signatures chromaticism a variety in dynamics and dotted rhythms Sicilienne is a pleasantly inspiring piece for aspiring flautists.

Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise therefore that his compositions for the instrument are at the forefront of the instrument's repertoire Ballade being no exception. After a prominent career as a flautist with the Paris Opéra he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed including his famous Ballade which premiered in 1927. Addressing many technical features including flourishing semiquaver passages and awide range Ballade is a challenging yet riveting and stirring piece for aspiring flautists.

From two of the most prolific flautists of all time Claude-Paul Taffanel and Philippe Gaubert's Méthode Complète de Flûte provides an essential and well-informed aid to Flute studies. With notes in French English German and Spanish this volume is highly accessible and versatile. The first volume of Méthode Complète de Flûte addresses a huge number of musical elements including tone articulation syncopation key signatures scales breath control ornaments and tonguing among many other aspects. Having been outstanding performers on the Flute as well as providingsignificant contributions to teaching of the instrument the pair saw the need for their detailed Méthode Complète de Flûte compiling it with their combined invaluable expertise. Considering that two great names are associated and that the compilation is packed full of technical exercises this study book makes for an irresistable purchase for aspiring flautists.

Par GAUBERT PHILIPPE. Cette toute première collection de musique pour flûte seule a été sélectionnée et éditée par le légendaire artiste et professeur de flûte, Sir James Galway. Le volume 1 contient les ?uvres de Philippe Gaubert suivantes : Fantaisie, Nocturne et Allegro scherzando, Madrigal, et Sonate n° 3. Pour les musiciens de niveau intermédiaire à avancé. / Date parution : 2022-10-12/ Recueil / Flûte et Piano

Par GAUBERT PHILIPPE. This first-ever collection of essential flute solo music was selected and edited by legendary flute artist and teacher, Sir James Galway. Volume 2 contains the following works of Philippe Gaubert: Deux Esquisses Nos. 1 and 2, Romance (1908), Suite, and Sur l'eau. For intermediate to advanced players. / Date parution : 2023-10-31/ Recueil / Flûte et Piano

Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Sonatina being no exception. After a prominent career as a flautist with the Paris Opera, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Sonatina for Flute and Piano, which is made up of two movements, the second being a homage to Schumann. Addressing many technical features including flourishing semiquaver passages, a wide range, lyricism, intervals, chromaticism and complex rhythms, Sonatina is a challenging yet riveting and stirring piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano

Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Deux Esquisses being no exception. After a prominent career as a flautist with the Paris Opera, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Deux Esquisses for Flute and Piano, which is made up of two movements. The secondof these, Oriental, conveys many technical features including flourishing semiquaver passages, a wide range, lyricism, intervals, chromaticism and complex rhythms. Oriental from Deux Esquisses is a challenging yet exciting piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano